| |
Catherine J. Golden
SERIALS TO GRAPHIC NOVELS: THE EVOLUTION OF THE VICTORIAN ILLUSTRATED BOOK
(Florida, 2017) xviii + 299 pp.
Reviewed by Philip V. Allingham
on 2019-10-17.
|
 |
In this book Catherine J. Golden, author of Posting It: The Victorian Revolution in Letter Writing (2010) and Images of the Woman Reader in Victorian British and American Fiction (2003), and editor of Book Illustrated: Text, Image, and Culture, 1770-1930 (2000), charts the principal developments in illustrated fiction from the earliest of the illustrated serials of the...
Click here to read the full review.
|
|
|
Pamela K. Gilbert
SKIN: SURFACE, SELF, HISTORY
(Cornell 2019) xi + 434 pp.
Reviewed by Tabitha Sparks
on 2019-10-08.
|
 |
In The Lampshade (2010), journalist Mark Jacobson traces the origin of the titular object, which was purportedly made from the flayed skin of a Jewish victim of the Nazis. When he consults a spiritualist, she intuits the human source of the lampshade and confirms the Holocaust origin story. This utterly changes Jacobson's relationship to the lampshade, which he now sees as a relic of unimaginable...
Click here to read the full review.
|
|
|
Kathleen Anderson
JANE AUSTEN'S WOMEN: AN INTRODUCTION
(SUNY, 2018) xxv + 293 pp.
Reviewed by June Sturrock
on 2019-10-07.
|
 |
Kathleen Anderson founds the arguments of this book on a detailed knowledge of Austen's six novels acquired over years of reading, teaching, and thinking about them. A brief introduction leads to eight chapters organized into three parts: "Women and the Body: Strength, Sex, and Austenian Wellness"; "Women's Natures: Mood, Mind, Spirit, and Female Giftedness" and "Women and Others: The Female Self...
Click here to read the full review.
|
|
|
Adena Spingarn
UNCLE TOM FROM MARTYR TO TRAITOR
(Stanford, 2018) xii + 252 pp.
Reviewed by Debra J. Rosenthal
on 2019-10-07.
|
 |
We all know that Uncle Tom died a martyr. No -- wait -- he died a traitor to his race. Was Tom a strong, admirable father who sacrificed himself in a Christ-like fashion to prevent his wife and children from being sold, or was he a shuffling, subservient sell-out of black Americans whose "yes massa" talk reinforced ideas of black inferiority? This bifurcated view of Harriet Beecher Stowe's most...
Click here to read the full review.
|
|
|
Jill Galvan and Elsie Michie, eds.
REPLOTTING MARRIAGE IN NINETEENTH-CENTURY BRITISH LITERATURE
(Ohio State, 2018) v + 269 pp.
Reviewed by Colleen M. Kropp
on 2019-10-05.
|
 |
Marriage in the nineteenth-century is critically central, symbolically and structurally, to the way the British novel emerges as a genre. How do you even begin replotting a deeply cultural, social event like marriage? Jill Galvan and Elsie Michie offer a provocative compilation of essays that explores what it means to rethink the British "marriage plot," which they describe as "the phrase [that]...
Click here to read the full review.
|
|
|
|
|
